Italo Calvino imagines a novel capable of endless mutations in this intricately crafted story about writing and readers.
A volume of unprecedented breadth and sinister beauty, Death: A Graveside Companion examines a staggering range of cultural attitudes toward death. The book is organized into themed chapters: The Art of Dying, Examining the Dead, Memorializing the Dead, The Personification of Death, Symbolizing Death, Death as Amusement, and The Dead After Life.
"The brief sections are consistently interesting, and plenty of supplemental illustrations and photos make this a handsome volume... best-suited to curious kids and casual mineralogists." --Publishers Weekly
"A beautiful book, nicely bound and richly illustrated... written in an easy to read, casual style." --Science Books and Films
This is the story of two men, and the two decisions, that transformed world history in a single tumultuous year, 1917: Wilson's entry into World War One and Lenin's Bolshevik Revolution.
The author writes: FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses.
Perhaps more responsible than anyone for the revolution in the way we eat, cook, and think about food, Alice Waters has single-handedly chang ed] the American palate according to the New York Times. Her simple but inventive dishes focus on a passion for flavor and a reverence for locally produced, seasonal foods.
Musician, novelist, poet, actor: Nick Cave (b. 1957) is a Renaissance man. His wide-ranging artistic output--always uncompromising, hypnotic, and intense--is defined by an extraordinary gift for storytelling. In Nick Cave: Mercy on Me, Reinhard Kleist employs a cast of characters drawn from Cave's music and writing to tell the story of a formidable artist and influencer.